Assessment: Juxtapoz journal offers a gallery of underground artists who effect a lot of the style, portraits, and new paintings we see at the present time, and its readers are the tastemakers who parent the most recent cultural tendencies. Full-color layouts providing painters, highway artists, sculptors, cartoonists, and photographers are featured besides interviews, infrequent portfolios, sketches, and studies. Juxtapoz is the brainchild of Robert Williams, world-renowned artist and father of the generally well known university of sketch surrealism. target market is children to hip adults.
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Sample text
I was there when you got a skate award and it was the rowdiest crowd I’ve ever seen, basically awful, and I was worried. ” But as soon as you got on stage, it was standing ovation, everyone quiet while you spoke, followed by another standing ovation. It was such a noticeable level or respect they had for you. I don't know how to explain it. I’ve tried to use my voice in these platforms through the years responsibly. I was not ignorant of the fact that thousands of kids read interviews in skate magazines, and later on websites or in art mags, so I always tried to respect that and say something.
I would like to contribute to that world. COM | 59 REBECCA MORGAN MOUNTAIN WOMAN ON TOP INTERVIEW BY KRISTIN FARR // PORTRAIT BY JUSTIN PLAKAS REBECCA MORGAN’S IMAGES ARE SO MOVING that we jumped like jackrabbits to get our grubby hands on them. The charm of her fleshy figures radiates with relentless confidence. While flexing their flaws, they are flawless as subjects of art, imperfectly perfect and magnetic in their realness. If only one figurative artist could be immortalized in contemporary American art history, Rebecca Morgan would be a top contender.
The romance of a painting still holds charm for me. I would like to contribute to that world. COM | 59 REBECCA MORGAN MOUNTAIN WOMAN ON TOP INTERVIEW BY KRISTIN FARR // PORTRAIT BY JUSTIN PLAKAS REBECCA MORGAN’S IMAGES ARE SO MOVING that we jumped like jackrabbits to get our grubby hands on them. The charm of her fleshy figures radiates with relentless confidence. While flexing their flaws, they are flawless as subjects of art, imperfectly perfect and magnetic in their realness. If only one figurative artist could be immortalized in contemporary American art history, Rebecca Morgan would be a top contender.
