Download PDF by Marilyn Singer: Mirror Mirror: A Book of Reversible Verse

By Marilyn Singer

Filenote: epub style is epub3 layout -- so for me on a mac, can purely be considered ibooks, now not ADE.
Contributor note: Josée Masse (Illustrator)

With 6 starred studies, eight better of the 12 months lists, and over 20 nation award nominations, everyone seems to be raving approximately Mirror Mirror!

"Remarkable."—The Washington Post

"This mind-bending poetry is followed via Masse's both clever, both fun art."—Time Out long island for Kids

What's brewing while favorites—poetry and fairy tales—are grew to become (literally) on their heads? It's a progressive recipe: an infectious new style of poetry and a lovably glossy tackle vintage stories.

First, learn the poems ahead (how old-fashioned!), then opposite the strains and skim back to provide common stories, from napping attractiveness to that captivating Prince, a scrumptious new spin. Witty, irreverent, and hot, this gorgeously illustrated and totally detailed providing holds a reflect as much as language and fairy stories, and renews the thrill and magic of both.

Literary Awards
Flicker story Children's ebook Award Nominee for photograph e-book (2012)
NCBLA - impressive Children's Books within the English Language Arts (2011)
Goodreads selection Nominee for photo publication (2010)

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Extra resources for Mirror Mirror: A Book of Reversible Verse

Sample text

And since we have seen how interconnected his life is with her coming into being as a subject, we can also posit that the entire story of Charlotte and her web is Fern’s attempt to save herself. As long as she (and Wilbur) are not full subjects, they are under threat. The Imaginary is a wonderful place to visit, but the child subject mustn’t continue to live there. At the same time, the sense of loss that would be generated by the death of Wilbur as Fern’s Imaginary other would be too traumatic.

Zuckerman is here represented as actively repressing the possibility of a performative subjectivity, as well as the role of the Other in that performance. Considering his role as the Name of the Father, this move on his part is uniquely appropriate, in that it is part of his function in a patriarchal economy to delimit the possibilities of being, just as Mr. Arable decided who could mother a pig and who could not. A performative subjectivity, on the other hand, implies endless possibilities, constrained only by the unpredictable desire of the mother who channels the desire of the subject in the first place.

Lacan begins with a logical problem that involves three prisoners who have a chance of release if they can figure out the solution to a puzzle set for them by the warden. The warden has five discs, three white and two black. He fastens one disc to the back of each prisoner; the task is for each prisoner to figure out what color he is through logical and not merely probabilistic means. Temporal pressure is added because only the first prisoner to deduce correctly his position will be released. 1 The subjects in question come to know who a t i m e t o m o u r n | 39 they are (that is, what color the disc on their back is) through three logical moments.

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