Myths and Legends Explained (Annotated Guides) by Neil Philip PDF

By Neil Philip

Taking an unique photographic method of glance intimately at definite issues, those 4 interesting books supply deeper figuring out and richer delight in the worlds of structure, artwork, well-known artists, and myths and legends. writer BIO: one of many world's top specialists on mythology and folklore, Neil Philip, Ph.D. has written greater than 30 books, together with DK's The Illustrated booklet of Myths

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Extra resources for Myths and Legends Explained (Annotated Guides)

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She carved the arches from the living rock, and made the pool from a spring of pure water. Animal skins Animal skins hang out to dry from the boughs of a tree, reminding us of Artemis’ role as the goddess of hunting. Stag’s Head The stag’s skull placed on a column is a forewarning of Actaeon’s metamorphosis and death. Artemis, goddess of hunting, used her skills to protect her mother Leto in the sacred grove at Delphi, striking down the giant Tityus who was trying to rape her. Unarmed goddess Unprotected, her bow and arrow in the care of her nymphs, Artemis could do nothing but dash spring water in Actaeon’s face.

Only his head survived—this floated down the river Hebrus singing, and was washed ashore on the island of Lesbos, where it began to prophesy, until it was silenced by Apollo. Guide of souls The god Hermes (Mercury) has a role in the underworld as the psychopompos, or guide of souls. Here, he leads Eurydice down to her new home. Unusually, he is shown with wings, rather than winged sandals. Hesitant walk Eurydice, newly arrived in the land of the dead, still walked slowly with a limp from her injured foot.

It signifies his mastery of the creative arts, and recalls his fated love for the nymph Daphne, who was turned into a laurel tree (see pp. 38-39). God of music Apollo, the god of music, played the lyre—the stringed instrument invented for him by Hermes (Mercury), Pan’s father. It was played by either strumming or plucking with a plectrum. Goat-god Here, Pan plays a flute, rather than the pan pipes. This is another indication, coupled with the presence of Athena, that the artist confused elements of the story of Marsyas with that of Pan.

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