Download e-book for iPad: Negativity and Politics: Dionysus and Dialectics From Kant by Diana Coole

By Diana Coole

Negativity and Politics: Dionysus and Dialectics from Kant to Poststructuralism is the 1st full-length learn of the concept that of negativity inside philosophy and political idea. Diana Coole essentially and skilfully explores the that means of negativity because it seems in smooth and postmodern considering and units out the importance of negativity for politics and our figuring out of what constitutes the political. the 1st a part of the ebook units out an insightful and compelling interpreting of Kant's, Critique of natural cause , earlier than relocating directly to a attention of Hegelian dialectics. Diana Coole asks, within the gentle of Marxist and poststructuralist feedback, in what experience Hegel sustains negativity. within the moment a part of the booklet, she explores how good Marxist and poststructuralist critics stay devoted to negativity. all through, she basically illustrates the significance of negativity in the idea of a few key theorists, together with Nietzsche's concept of the need to power', Adorno's unfavorable dialectics', and Julia Kristeva's gendering of the unfavorable. A key subject matter of Negativity and Politics is the ordinary hostility among the dialectical use of negativity present in Hegel and working via Marxism and important conception, and the Dionysian use of negativity as built by way of Nietzsche and located in very important strands of French notion. Diana Coole indicates how the appropriation of negativity in either situations threatens but in addition informs our figuring out of politics and the political. a desirable and ambitious intervention in political thought and philosophy, Negativity and Politics might be of curiosity to all these in politics, philosophy and modern social idea.

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Additional info for Negativity and Politics: Dionysus and Dialectics From Kant to Poststructuralism

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The important question from the perspective of negativity is whether these are engendered by the critical enterprise itself in its quest for reason’s limits and knowing’s guarantee. In considering that enterprise at the beginning of this chapter, I mentioned the problems which the spatial metaphorics of the limit created, and it is Kant’s insistence on topographical imagery that conveys a sense of two antithetical realms here. Even if these were only referring to a dual perspective on experiential objects, this would merely locate hiatus within reason rather than on its borders.

Kant admits that the entire critical edifice would become ‘empty and useless’ were we to accept that appearances are ‘but a confused representation of things’ (CPR: A43/B60). For knowledge would then lack any stability, criteria or sustainable limits. As he concedes, that ‘nature should direct itself according to our subjective ground of apperception, and should indeed depend upon it in respect of its conformity to law, sounds very strange and absurd’ (CPR: A113–14). But his response is predictably transcendental: as ‘merely an aggregate of appearances, so many representations of the mind’, we can find only a nature that is the possible object of experience and this can be discovered nowhere but in the unity of apperception as formally deduced.

The difficulty of sustaining a boundary between the transcendental and empirical is an enduring problem in the Critique, especially where the subject is concerned. In this instance it draws attention to the very attenuated role imagination is called upon to perform in the production of knowledge, inspiring Kant’s critics to comment upon the latter’s resulting impoverishment in his account. ’15 In the later work imagination will be accorded a more creative capacity, whereby it actively composes forms in a more open and artistic manner, but the question then arises as to whether the cognitive and aesthetic, as well as the two modes of the imagination, can be separated even analytically in the way Kant suggests.

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