By Mark Harrison
One other identify during this renowned sequence of 'Tests that teach', designed to aid enhance scholars' examination functionality and bring up language competence at skillability point. job kinds familiarise scholars with the projects they'll face within the examination, extra perform and tips pages construct self assurance in answering them and an increased solution key supplies transparent reasons as to why the given resolution is right. it may be utilized in the school room or for self-study. absolutely Revised for the Cambridge ESOL talent 2013 examination skilled writer extra perform and suggestions pages enhance self belief in each one a part of the examination paper absolutely complete Key and rationalization part supplies additional info at the correct number of solution New choice to be had to incorporate web site entry to Macmillan perform on-line (MPO)
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46 PAPER 5 PARTS ONE AND TWO TEST ONE PAPER 5 SPEAKING 19 minutes PART ONE (3 MINUTES) GENERAL AND SOCIAL Questions that may be addressed to either candidate. • Whereabouts do you live? • Could you describe the areal city you live in? • What do you like / dislike about the area / city you live in? • Can you describe the building you live in? • Who do you live with and do you get on well with them? • What's your favourite kind of music/performer/band? • What's the best concert you've ever been to?
Stalls sell souvenir scarves, hats, badges and posters; a man trades in rare match programmes; boys with bin-liners jammed with T-shirts yell: 'Get yours, only a fiver'. But the most extraordinary sight comes once you have fought your way into the shadow of the ground itself. There, snaking round crush barriers cemented into the forecourt, is the queue for the Manchester United superstore. People already burdened by United apparel - shirts, sweaters, jackets, earrings - line up for at least an hour behind 2,000 others for the privilege of buying yet more stuff: 3-D posters, souvenir drinking mugs, duvet covers.
Spencer Tracy Spencer Tracy was an enigma. He could be cruel and heartless toward some actors with whom he worked, but (1) kind to others. Director Robert Wise says, 'When we did a film called Tribute to a Bad Man, he couldn't have been more mean and nasty to his co-stars. ' On the other hand, Robert Wagner says, 'After I worked with him in The Mountain, he became a sort of (3) . father to me. ' There was a similar dichotomy in Tracy's relations with directors. Generally he would (4) along with everything a director wanted, but as Stanley Kramer says, he could be difficult: 'There were times, when he disagreed with me, when he could wither me with a glance.
