By Nigel Farage
Even if you're keen on or detest him, nobody can deny the reinvigorating influence that Nigel Farage has had upon political debate in Britain lately. certainly, it truly is to him and his vigorous management that UKIP owes a lot of its good fortune. Positioning himself as a lone splash of color in an period of monotone political leaders, Farage's obvious fearlessness and off-message willingness to talk his brain, whereas frightening many, have provided a tonic to people who are unwell to dying of the standard around of sound-bite politicians. In Nigel Farage In His personal phrases, journalist Andrew Liddle bargains an exciting collection of Nigel's such a lot arguable, usually laugh-out-loud humorous, tell-it-like it-is bon mots and politically wrong public utterances, in addition to many of the heated responses they've got generated.
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Additional info for Nigel Farage in His Own Words
Sample text
We must look in the “Everlasting Gospel” for what Blake found, not for the gospel which everyone but he had overlooked. This poem’s true subject is the mind of the author, and in it we can learn of his interpretation of the Bible. Like all Blake’s challenging utterances, the couplets that compose the “Everlasting Gospel” contain a series of epigrams which defy systematic analysis, since their object is to excite the reader by creating lively images in his mind. Their virtue is to imbue their subject with life and to recreate Christ in Blake’s own image.
9 cm. The Morgan Library & Museum, New York. qxp 7/8/2009 3:16 PM Page 34 William Blake, Illustration from The Daughters of Albion, plate 1, 1793. Relief etching, watercoloured by hand. Houghton Library, Harvard University, Cambridge (Massachusetts). qxp 7/8/2009 3:16 PM Page 35 William Blake, Illustration from The Daughters of Albion, plate 3, 1793. Relief etching, watercoloured by hand. Houghton Library, Harvard University, Cambridge (Massachusetts). qxp 7/8/2009 3:16 PM Page 37 it “as looking more like death or smelling of mortality,” we can understand how this fatal prejudice had lodged itself in his mind.
The British Museum, London. 56 William Blake, Illustration from The First Book of Urizen, plate 5, 1794. 8 cm. The British Museum, London. qxp 10:47 8/8/2009 AM Page 59 9:47 AM Page 59 The best of the second group of songs present us with rudiments of thoughts dissolved in music, and it is the strange magic of this music, by leading us to think for ourselves, that we should carry away from them. Their intellectual fascination consists in suggesting rather than in defining their meaning. They make the intellect a thing of beauty by lending it an air of darkness, and the readers, like bats awakened by falling shadows, find in the darkness the opportunity for the most crooked of their flights.
