By Ruth Barcan
We alternately think about nudity as a perversion and a kingdom of innocence. Why is our reaction so contradictory and why is nudity taken care of so another way in numerous contexts? Drawing on pop culture, literature, philosophy, faith, and firsthand interviews in an effort to solution those questions, Barcan encounters morticians, nudists, strippers, nurses, tattooists, artists and pornographers. Shining a mild on a subject that has been mostly neglected regardless of its skill to titillate, surprise and entertain, Nudity is an engaging mixture of significant trivia and large philosophical questions about this such a lot unnatural country of nature.
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Additional info for Nudity: A Cultural Anatomy (Dress, Body, Culture)
Genitals were hidden by the pubic hair and many of the poses aimed to modestly conceal the genital area. Hair then, while itself daring in the 1960s, functioned also as a “cover” until the late 1980s, when the genital lips themselves become the new frontier of boldness. From my research, it is clear that fashions in representation have marked effects on real bodies when it comes to pubic hair fashions, which are an especially interesting example, since they are learned mostly covertly. Magnus Clarke records that pubic depilation was practised by many nudist women in Australia in the 1950s, this despite the fact that, he believes, many of them were less keen on it than their husbands.
E. aestheticized) nudity. e. ” In classical art, “naturalness” is not highly valued; nature is, rather, understood as raw material in need of purification, “cleaning up,” or perfection. Both nature and subjectivity are evacuated from the naked model as s/he is transformed into an idealized object, the nude. Before studying this distinction, it is useful to consider the etymology of the words themselves. The word “naked” comes from the Old English “nacod,” and is related to similar words in the West Germanic family of languages: German, Old Frisian and Old Norse.
For example, the surface depressions where the pectoral muscles sink under the deltoids “are absent in the female, or, if present, are very much softened on account of the quantity of fat and the feebler muscular development” (p. 134). The index to this handbook also makes it clear that maleness is assumed as the norm. ” The most striking example of this assumption about “the” body is in the index entry for breasts, which reads, in an initially bizarre rupture of common-sense and alphabetical expectations: Breasts, male —— female This text isn’t a lone example.