By Richard Stark
There were many movie variations of Richard Stark's novels through the years, yet none of them really featured a protagonist named Parker—and none of them totally captured Parker's chilling tenacity and laconic anticharm. right here for the 1st time is the real Parker, performed via Jason Statham. tailored by means of Black Swan screenwriter John J. McLaughlin, and directed via Taylor Hackford, Parker is certain to either fulfill Stark fanatics and action-movie fanatics. And there couldn't be a greater Parker novel to convey to the silver monitor than the fast moving and classy Flashfire.
When Flashfire opens, Parker isn't satisfied. 3 affiliates have borrowed his funds for a role with out permission, and he isn't happy to attend and spot in the event that they make solid. as a substitute, he vows to kill all of them. Tearing throughout the USA to take their activity out from lower than them, Parker reveals himself in West Palm seashore. There issues move bitter. whereas trying to trick the denizens of Palm seashore into accepting him for one in every of their very own, Parker is gut-shot and compelled to depend on a stunning civilian, performed within the movie through Jennifer Lopez, for support. yet even injured and exhausted, Parker nonetheless has his killer intuition, and he indicates how unwise—and deadly—it is to move him. half heist motion picture, half unforeseen romance, and often explosions, Parker brings to lifestyles Stark's hero with verve and violence, whereas taking audience on an action-packed experience they won't quickly forget.
Also starring Michael Chiklis, Nick Nolte, Patti Lupone, and Wendell Pierce, Parker is hitting theaters close to you this January. challenging.
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Additional info for Parker: Now a Major Motion Picture, Originally Published as "Flashfire"
35 To be comic is to be both grotesque and artificial; the two are inextricably linked and equally indicative of the comic genre. Scholarship on the (male) comic body has focused primarily on its relationship to the notion of the ideal Athenian citizen. 36 Helene Foley has modified his view, noting that these grotesque characters nevertheless frequently claim to be citizens and to represent the interests of citizens. ”37 Foley’s argument emphasizes the distancing power of the costume’s patent artificiality, a feature that surely made it possible for actual male citizens to play these roles without shame.
Photograph © The State Hermitage Museum. Photo by Leonard Kheifets,Yuri Molodkovets. 65 On a Campanian bell-krater dated to c. 67 In both of these cases, the female figure is unmasked, clothed in a normal robe without somation, and of nongrotesque proportions, as in Figure 14. 68 Lest we think that this is only a southern Italian phenomenon, the Attic relief discussed earlier (Figure 3) seems to depict an auletris with a comic chorus, although the upper body and face have not survived. These auletrides suggest at least the possibility that nonspeaking performer roles were represented onstage in quite The Comic B ody as Costume a different manner from the grotesquely shaped speaking characters who sport obvious layers of costume.
This chapter examines the comic body costume from four points of view: first, the contributions of the visual record to our understanding of the body as staged in comic performances; second, some common patterns of bodily manipulation in Aristophanes; third, the comic body as figure of gluttony and outrageous demagoguery in Knights; fourth, the thematic interweaving of body and textiles in Lysistrata. 16 The Comic B ody as Costume Envisioning the Comic Body The Male Comic Body The male comic body as depicted in the visual record of the late fifth through mid-fourth century is both grotesque and manifestly artificial.