By George F Cushing, Geoffrey Alan Hosking
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Additional resources for Perspectives on Literature and Society in Eastern and Western Europe
Sample text
There were thus contradictions in Milton's attitude towards the English Revolution, which are perhaps reflected in the tensions within his poetry. Milton's political career ran parallel with that of many of the radicals. Originally intended for the church, he early decided that he could not become a priest und er Laudianism, which he attacked in Lycidas. He later described hirnself as 'church-outed by the prelates', but his decision was, I think, voluntary. He decided to dedicate himselfto poetry.
These doctrines could not be openly expressed in Paradise Lost, Paradise Regained or Samsan Agonistes. Like Chekhov, Milton had to decide what he could get away with saying. But he knew that Paradise Lost was a great poem, which had tobe published. We must read it with these facts in mind. Take for instance the invocation to Book VII: I sing . . unchanged To hoarse or mute, though fallenon evil days, On evil days though fallen and evil tongues, In darkness, and with dangers compassed round, And solitude.
On the other hand, the theme involves consideration ofthe writer's view of the society to which he or she belongs: whether, to what degree, in what respects, that view is supportive or critical ofthat society, its structures, practices and beliefs. We must, I think, take a preliminary Iook at some of these general aspects of our theme in the context of the France of Voltaire's day before we can usefully consider Voltaire's own career and its significance. In the 17th century-the century in which Voltaire was born in 1694-French society regarded the imaginative writer as essentially an artisan, a craftsman whose social function was to provide, like the painter, the goldsmith and the architect, agreeable artefacts to enhance the pleasure ofliving for the court, the nobility and the more cultivated and prosperaus strata of the bourgeoisie.
