By Jorge Ramos
"People ask if i'm a journalist or an activist. actually that i'm only a journalist who asks questions, yet one that does in truth take a stand."—Jorge Ramos
After 30 interesting years uncovering the challenging fact, Emmy Award-winning journalist Jorge Ramos opens up for the 1st time approximately life-altering classes by way of sharing alluring never-before-told tales. widely known for his unapologetic, no-holds-barred method of interviewing international leaders, company titans, democratic coverage makers and dictators who threaten to derail these rules, Ramos finds their one universal trait—they are all rebels.
Rebels are varied. at some point soon they made up our minds to problem the existing established order. occasionally they rebelled to alter a regime, different occasions to avoid abuse or discrimination, yet in all circumstances they strived to right an injustice.
In Take a Stand, Ramos seems to be again on groundbreaking interviews with rebels comparable to President Barack Obama, ultimate court docket Justice Sonia Sotomayor, Spike Lee, Barbara Walters, Fidel Castro and extra. Candid and now and then debatable, Ramos attracts necessary knowledge of matters that impression the approach of the most important minority within the state and the way they are going to absolutely form not just Presidential elections but in addition the way forward for the USA.
Read or Download Take a Stand: Lessons from Rebels PDF
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Extra info for Take a Stand: Lessons from Rebels
Sample text
Stieglitz described their art collection: ‘splendid examples of Matisse, Picassos, Duchamp, a Cézanne watercolour & a Cézanne lithograph – several Brancusis – in marble, wood, & bronze’. Such images had hung on the walls of his tiny rooms at 291, and O’Keeffe had seen much similar work there.
A real surprise [and] . . I felt they were a genuine expression of yourself. ’44 O’Keeffe stumbled over her first reply: ‘I don’t exactly get your meaning’, but she pressed on, ‘I am so glad they surprised – that they gave you joy. ’45 48 And so began the first notes of what slowly grew into a love affair, and the tumultuous shared creativity of dual careers. 46 On 3 May 1916 O’Keeffe received a telegram containing long-dreaded news. Her mother had died the day before, on 2 May, and so ended the long struggle with tuberculosis.
Picasso shown in America. Major first viewings of African tribal art as aesthetic objects, rather than ethnographic curiosities, followed in 1914, and that winter the new charcoal Cubist papiers collés, drawings by Picasso and Braque, also went on view. A sculpture exhibition of the works of Constantin Brancusi, his first in America, came that spring, another introduction for American modernists. Earlier, in 1909, Stieglitz had experimented with another new idea closer to home, and showed the latest tendencies in American abstract painting in the exhibition Younger American Artists, which included works by Arthur Dove, John Marin and Marsden Hartley.
