By Noah Wardrip-Fruin, Nick Montfort
This reader collects the texts, movies, and laptop programs--many of them now virtually very unlikely to find--that chronicle the historical past and shape the basis of the still-emerging box of recent media. common introductions by way of Janet Murray and Lev Manovich, besides brief introductions to every of the texts, position the works of their historic context and clarify their importance. The texts have been initially released among international battle II--when electronic computing, cybernetic suggestions, and early notions of hypertext and the net first appeared--and the emergence of the area huge Web--when they entered the mainstream of public existence. The texts are via laptop scientists, artists, architects, literary writers, interface designers, cultural critics, and participants operating throughout disciplines. The individuals contain (chronologically) Jorge Luis Borges, Vannevar Bush, Alan Turing, Ivan Sutherland, William S. Burroughs, Ted Nelson, Italo Calvino, Marshall McLuhan, Billy Kl?Jean Baudrillard, Nicholas Negroponte, Alan Kay, invoice Viola, Sherry Turkle, Richard Stallman, Brenda Laurel, Langdon Winner, Robert Coover, and Tim Berners-Lee. The CD accompanying the ebook comprises examples of early video games, electronic artwork, self reliant literary efforts, software program created at universities, and home-computer advertisement software program. additionally at the CD is digitized video, documenting new media courses and art for which no operational model exists. One instance is a video list of Douglas Engelbart's first presentation of the mouse, notice processor, link, computer-supported cooperative paintings, video conferencing, and the dividing up of the reveal we now name non-overlapping home windows; one other is documentation of Lynn Hershman's Lorna, the 1st interactive video paintings deploy.
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Extra info for The New Media Reader
Example text
The Legend of the Three Kingdoms successfully illustrates the historical processes underpinning this transformation from Chinese legend into a variety of popular cultural products and highlights the significance of the transnational cultural flows between China and Japan. By way of concluding this introduction to the aesthetic potential of manga to represent Japanese history, I suggest that the overarching strategy of this collection is the authors common wish to illuminate the propensity of manga and by extension comics in general to push the written word to a higher plane of representation by combining with graphic art as the gateway to sequential arts like animation, movies and other forms of popular cultural representation.
43 Omniscient textual narration a few pages later, placed outside the diegetic space of the panel, emphasises the constructed and contested nature of history: Chronicles of the Yamato court such as the Kojiki and Nihon Shoki (two of the oldest remaining histories of Japan) invariably describe their adversary, Kumaso, as a barbarian nation. However, if some citizen of Kumaso had left us a similar historical work, our view of ancient Japanese history might be entirely different from what it is now.
David Radzinowicz. Paris: Flammarion, 2007. Kuwata, Jirō. : The Secret History of Batman in Japan. New York: Pantheon Books, 2008. McKinney, Mark. History and Politics in French-Language Comics and Graphic Novels. Jackson, MI: University Press of Mississippi, 2008. ) Comics As Philosophy. Jackson, MI: University Press of Mississippi, 2005. Introduction 17 MacWilliams, Mark W. (ed). E. Sharpe, 2008. Morris-Suzuki, Tessa. The Past Within US: Media, Memory, History. London: Verso, 2005. Napier, Susan J.
