By Peter Connolly
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Additional info for The Roman World The Cavalryman
Example text
The ball's association with waste comes not from any of the fans that own it, but rather from a series of coincidences that border on the bizarre: the ball travels from the Polo Grounds to the Long Tall Sally (a Vietnam War bomber) to the car of a man shot by the Texas Highway Killer to the bookshelf of a sanitation manager. Furthermore, DeLillo continually frustrates the reader's desire for a clear provenance. While Nick Shay's baseball certainly appears to be the same one that Bobby Thomson hits in 1951, the novel refuses to provide epistemological certainty.
By defining Henry through this impulse to create a mythologized fan text, Coover's 1968 novel anticipates a key characteristic of sports culture at the millennium, a time when many fans focused more on a decades-old "golden age" of sports than they did on either the present or the future. "Cockeyed march through the decades": Fan histories in Don DeLillo's Underworld The trajectory of Don DeLillo's Underworld (1997) reverses the plot structure of such seminal baseball novels such as Bernard Malamud's The Natural (1952) and Mark Harris' The Southpaw (1953).
As a baseball fan, Henry is far more intrigued by the game's pastoral roots than in the modernized sport ushered in by television, integration, and expansion. In Making the Team: The Cultural Work of Baseball Fiction, Tim Morris argues that a similar sensibility has shaped the bulk of baseball literature: "[Pastoralism] typically conceives of a golden age of baseball: the 1920s or 1930s, the time of day baseball, played (supposedly) for the love of it in old cozy ballparks . " (8). Henry's baseball league is suspended in just such an age; though the novel is set in the 1960s and Henry has simulated fifty-six seasons, the game he imagines is clearly that of an earlier era.
