By Kristopher J. Holland
The articulation of the constitution of human event has been a continuing fight within the discourses of philosophy and paintings. The legacy of this discourse is ruled by way of a Cartesian worldview that describes human event inside a mind-body paradigm. This locks the area inside of a cloth / non-material binary which has resulted in the separation of expertise with paintings as opposed to gadgets as artwork. utilizing the strategy of philosophical inquiry this dissertation hyperlinks the pragmatist paintings of John Dewey, the creative oeuvre of Joseph Beuys, and Jacques Derrida's deconstructive writings in a talk that reviews the former 'structuring' of human interplay with the area present in philosophical and inventive discourses. This inquiry yields new insights for outlining artworks, considering via creative intentionality, and most significantly realizing the a number of trajectories in articulating adventure in a philosophical and creative experience. to ensure that these concerns to emerge, first, John Dewey's proposal of expertise is tested to put the basis for realizing artistic endeavors as studies instead of items that's then explored via exam of the conceptual paintings perform of Joseph Beuys. finally, to push the function paintings play in the articulation of expertise even extra, the paintings of Jacques Derrida is brought radicalizing Dewey's pragmatism and Beuys sculptural framing of the area. This final act, because the fruits of this philosophical inquiry, illuminates the position inventive perform performs as a part of the critique of the hidden daily assumptions approximately how we adventure the realm that continues to be deeply embedded inside of what Derrida calls Western recommendations 'logocentric' frameworks. it truly is by way of exploring the philosophical aspect of expertise awarded right here and utilizing inventive perform as car to border the experiential articulation of occasions, that this inquiry pushes the bounds of what we expect we all know approximately our daily reviews in existence and the way paintings items form it. In essence the constitution of human event is located right here purely via linking the discourses of philosophy and paintings present in Dewey, Beuys, and Derrida.
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Additional resources for The Arc of Philosophy & Art: An inquiry into the structure of experience & work of art with John Dewey, Joseph Beuys, & Jacques Derrida
Example text
Dewey does not see value in the continuation of using philosophy in the dualistic vein because the concept of a subject‐object universe distorts any method articulated within its premises, therefore failing to overcome it. ”24 In other words, the dualistic pattern of thinking has resulted in false renderings of how we think and view the universe by its very makeup. For Dewey, the very discourse of metaphysics, epistemology, and ontology has been structured – hijacked by this dualistic paradigm of thought.
22 not by pursuing the lines of flight within the established paradigm, but by ‘marking a new path,’ thus starting from a new position altogether. Dewey does not see value in the continuation of using philosophy in the dualistic vein because the concept of a subject‐object universe distorts any method articulated within its premises, therefore failing to overcome it. ”24 In other words, the dualistic pattern of thinking has resulted in false renderings of how we think and view the universe by its very makeup.
This notion, not tendered by Dewey as a ‘writing,’ but a useful expression here in regards to this projects future encounter with Beuys and Derrida, will relate to the role aesthetic experiences will play in experience as exactly the ways in which we ‘write the universe’ as we ‘write ourselves’ coming out of the wholeness of experience. , 1931), 32‐33. 28 Returning to Dewey’s critique of previous ideas about experience, his rejection of rational and empirical positions brings him to examine Kant’s work more closely.
